Dischord

• At the height of her success, alternative rock star Gypsy puts sown her violin and walks away from her career, she retreats with Lucian, her musician husband, to the desolation of Cape Cod in winter. There in Lucian s family cottage, isolated from all they worked to achieve, Lucian tries to support Gypsy in her quest from renewal and peace. Their solitude is cut short, however, when Lucian s long

A Dischord box set? It may seem like an oddity to many who know little about the label, but when you think about it, it makes absolutely perfect sense. Many of the D.C. bands were and are known for amazing live shows, blowing most "punk" bands out of the water. Unfortunately, given these bands' tendency to break up after a year or so, those in the other parts of the country and the world couldn't necessarily make it down to the 9:30 club to check out Severin or Soul Side -- hence, the existence of Di! schord as a label. Initially started just to document one band (the Teen Idles), it has served to document the ever-growing musical family that has come to represent some of the best music Washington D.C. has to offer. And now, after 20 years, a compilation comes along (each band is represented with one song on the first two discs) that is not only beautifully laid out, but an absolute necessity for fans of either the label as a whole or just one or two bands. On the first two discs, the progression of the label is spelled out chronologically, beginning with the rapid-fire hardcore that D.C. bands like Minor Threat, Government Issue, and Faith used to establish the scene in the early '80s. Around track 16 or so, the whole thing explodes. Bands no longer take the faster-then-hell approach, and more melodies and complexities take over. While many of the people here appear in many different bands, there was an obvious concerted effort to keep pushing things past the confines o! f what constituted "punk," including the supposed birth of emo! core (Em brace, Rites of Spring), the blend of personal issues with politics of the Nation of Ulysses and Fugazi, the power pop of High-Back Chairs, or the monster surf punk of Slant 6. The third disc, made up entirely of rare and unreleased tracks moves in much the same order but tends to be a bit heavier on the "hardcore" side. If this isn't your cup of tea, it is more than made up for by rare tracks by Shudder to Think and the brilliant "Word" by Fugazi. (Not to mention an extremely old interview with Ian and co. from way back when and vintage live footage of some of the original hardcore bands on the scene.) There are moments on the box that may throw people for a loop, musically. But the fascinating part is hearing the progression of the scene from a high-octane hardcore hotbed to a more arty, experimental, and wide-ranging purely musical scene. Listeners will have an interesting time trying to peg down just when that shift occurred. Was it Rites of Spring? Beefeater? Shudder to! Think? It's important to note too that not every moment/song/band is going to touch people. Fans of the early work the label released will probably not go crazy for High-Back Chairs, and Autoclave fans may not dig S.O.A., but that's missing the point. And the point is? The point is that Dischord is a label devoted to documenting music, not supplying it with an image or a marketing strategy. And this collection is the ultimate proof. [The set also contains an amazing book that contains photos, essays, descriptions of the whens, whys, and hows of each band and song as well as a pictorial discography.] ~ Chris True, RoviSelf-absorbed New Age composer Lucien (Andrew Borba) feels overshadowed by the talent and fame of his "improv" violinist wife Gypsy (Annunziata Gianzero), so she abandons her music to placate him, and together they retreat to their beach front home. Gypsy just "needs to fly again, needs to dream," like she did when her grandfather played for her as a little gi! rl. Meanwhile Lucien's serial killer brother Jimmy (Thomas Jay! Ryan) c omes to visit after a long absence. The three walk on the beach, drink, and talk about their pasts. Gypsy listens to wind chimes and confides in a mysterious beachcomber; Lucien grows frustrated composing his next album, and Jimmy drowns the local women. Meanwhile a retired Boston detective is on Jimmy's trail, and eventually explosive confrontations erupt on both artistic and psychological levels. DISCHORD is a unique, low-budget indie from writer-producer-director-editor Mark Wilkinson. It seems to take place in an alternative New Age universe where even cops and Cape Cod fisherman talk about appeasing the spirits and New Age music is more popular than rock and rap combined. Naturally there's an intriguing score, and Hal Hartley fans will relish seeing HENRY FOOL star Ryan in another meaty role.

Read more »

The Borrowers

• ISBN13: 9780152047375
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Pod, Homily, and Arrietty Clock's huge adventures have been thrilling children young and old for fifty years--and their appeal is as strong as ever in these handsome new paperback packages. While the original beloved interior illustrations by Beth and Joe Krush have been retained, Marla Frazee's striking cover illustrations capture these little people with a larger-than-life appeal.

Anyone who has ever entertained the notion of "little people" living furtively among us will adore this artfully spun classic. The Borrowers--a Carnegie Medal winner, a Lewis Carroll Shelf Award book, and an ALA Distinguished Book--has stolen the hearts of thousands of readers since its 1953 publica! tion. Mary Norton (1903-1993) creates a make-believe world in which tiny people live hidden from humankind beneath the floorboards of a quiet country house in England.

Pod, Homily, and daughter Arrietty of the diminutive Clock family outfit their subterranean quarters with the tidbits and trinkets they've "borrowed" from "human beans," employing matchboxes for storage and postage stamps for paintings. Readers will delight in the resourceful way the Borrowers recycle household objects. For example, "Homily had made her a small pair of Turkish bloomers from two glove fingers for 'knocking about in the mornings.'"

The persistent pilfering goes undetected until a boy (with a ferret!) comes to live in the country house. Curiosity drives Arrietty to commit the worst mistake a Borrower can make: she allows herself to be seen. This engaging, sometimes hair-raisingly suspenseful adventure is recounted in the kind, eloquent voice of narrator Mrs. May, whose br! other might--just might--have seen an actual Borrower in the ! country house many years ago. (Ages 9 to 12)

Read more »

TEXTILE Elizabeth and James Women's Baxter Cardigan, Graphite, X-Small

• Long sleeve
• Wide ribbing

Whether you're braving the mean streets of Milwaukee in winter or handling the multiple-days-per-week shred sessions required to be considered a member of the Militia, you need the right jacket. DC crafted the lightly insulated, seriously breathable Baxter Jacket for die-hard devotees like you who call Whiskey Militia home.

Product Features

• Material: polyester
• Insulation: synthetic (40g)
• Fabric Waterproof Rating: 5000 mm
• Fabric Breathability Rating: 5000 g/m
• Hood: yes
• Fit: standard
• Center Back Length:
• Length:
• Venting:
• Powder Skirt: yes
• Pockets: (external) 2 handwarmer, (internal) 1 goggle / media
• Seams: critical seams taped
• Wrist Gaiters: yes
• Liner-Compatible:
• RECCO:
• Weight:
• Recommended Use: snowboarding
• Manufacturer Warranty: 1 year

If you're in the midst of your sock trials, pick up a pair of the Stance Everyday Casual Sock. Made with soft cotton and featuring a reinforced toe and heel, this sock will keep you rolling comfortably for miles to come.

Product Features

• Material: 80% combed cotton, 12% polyester, 8% spandex, (Douglas colorway) 70% combed cotton, 15% nylon, 10% polyester
• Height: crew
• Recommended Use: casual, skating
• Manufacturer Warranty: 30 days

Sexy young Sheila Benton loses a multi-million dollar trust if she's involved in any scandal, so it probably would have been wiser not to do drugs, run around with a married man, and find a dead blackmailer on her kitchen floor. Defending her from a murder charge is a tough first case for attorney Steve Winslow, particularly since her trustee w! on't pay him, and he can't afford to quit his day job, driving! a cab.< br />
" ...smart, agreeable mystery...The likable Winslow proves a clever, thorough investigator and an entertaining trial lawyer. Hailey brings his plot threads together with finesse." - Publishers Weekly

"Hailey has done a fine job of detailing a murder mystery that contains some of the best courtroom dialogue put down in a very long time. His scenes out of court are good, but those taking place in court are superb." - Phil Thomas, Associated Press

"Truly outrageous legal high jinks overlaying an original plot conceptâ€"plus, Winslow is fun to be around." - Kirkus Reviews

"A winning tale of intrigue with a smash ending." - United Press InternationalSexy young Sheila Benton loses a multi-million dollar trust if she's involved in any scandal, so it probably would have been wiser not to do drugs, run around with a married man, and find a dead blackmailer on her kitchen floor. Defending her from a murder charge is a tough first case for at! torney Steve Winslow, particularly since her trustee won't pay him, and he can't afford to quit his day job, driving a cab.

" ...smart, agreeable mystery...The likable Winslow proves a clever, thorough investigator and an entertaining trial lawyer. Hailey brings his plot threads together with finesse." - Publishers Weekly

"Hailey has done a fine job of detailing a murder mystery that contains some of the best courtroom dialogue put down in a very long time. His scenes out of court are good, but those taking place in court are superb." - Phil Thomas, Associated Press

"Truly outrageous legal high jinks overlaying an original plot conceptâ€"plus, Winslow is fun to be around." - Kirkus Reviews

"A winning tale of intrigue with a smash ending." - United Press InternationalOne button cardigan

Read more »

The Encyclopedia of Small Business Forms and Agreements: A Complete Kit of Ready-to-Use Business Checklists, Worksheets, Forms, Contracts, and Human Resource Documents With Companion CD-ROM

• ISBN13: 9781601382481
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Those who wish they had a resource in which every possible small business form and agreement they have ever encountered was located can breathe a sigh of relief. The Encyclopedia of Small Business Forms and Agreements is the answer, as it will provide small business owners with ready-to-use checklists, worksheets, forms, contracts, and human resource documents. Inside these pages you will find over 250 essential documents for all your hiring, firing, intellectual property, Internet, technology, legal, merger, acquisition, money, fundraising, sales, marketing, and starting a business needs. In essence, this book is a small business survival kit packed with materials you can use for every aspect of yo! ur job.

This encyclopedia and companion CD-ROM focuses on the issues, situations, and tasks that you, as a small business owner, face every day when running your business, such as incorporation, board and shareholder resolutions, partnership agreements, business plans, insurance, employee applications, employment policies, termination, job descriptions, employee benefits, sales and service contracts, bills of sale, invoices, press releases, raising capital, venture capital, license agreements, confidentiality and non-disclosure agreements, letters of intent, term sheets, domain names, e-commerce contracts, release forms, demand letters, litigation, and arbitration.

Included in this comprehensive book are hundreds of easy-to-implement tools, contracts, forms, and checklists that will help you organize your business and make it easier to manage while increasing your bottom line. With its professionally organized format, this book takes you step by step through t! he valuable forms, which may be easily printed out and customi! zed, tha nks to the convenient companion CD-ROM. <\p>

Read more »

Dan in Real Life

• Steve Carell (THE 40-YEAR-OLD VIRGIN, TV's THE OFFICE), Hollywood's leading funnyman, stars in the hilarious comedy that's bursting with charm -- a movie you'll watch again and again. Advice columnist Dan Burns (Carell) is an expert on relationships, but somehow struggles to succeed as a brother, a son and a single parent to three precocious daughters. Things get even more complica

n/aSteve Carell’s best film performance to date can be found in the fitfully engaging Dan In Real Life, where his long-suffering persona suits a character who lets his long-dormant hopes rise for a moment, only to be shot down again. Carell plays Dan Burns, a newspaper columnist who writes about family issues and relationships. As a widower with three growing girls to raise, however, the difference between Dan’s printed wisdom and his struggles with fatherhood and loneliness is often vast. He’s put to ! a severe test when he packs up the kids for a cabin holiday with his parents and siblings, then falls for the exotic, if elusive, Marie (Juliette Binoche) during a solo excursion to a bookstore. Stirred by a woman for the first time since his late wife, Dan is shocked to find that Marie is actually dating his brother Mitch (Dane Cook), and that she’ll be spending the vacation with him in the midst of his family. From that point, the script, co-written by director Peter Hedges (Pieces of April), pretty much becomes a parade of difficult circumstances under which both Dan and Marie have to keep their attraction to one another secret. Certain scenes work better than others, but there is an overall monotony to the movie that isn’t helped by a lack of onscreen chemistry between Binoche and Carell. Both actors are fine on their own terms, but whatever is supposed to be clicking between Marie and Dan isn’t compelling enough to make one truly care that they get togethe! r somehow. Still, this is a film with plenty of moments to lik! e, espec ially when Carell gets to broaden his previous range of emotions in a movie. --Tom Keogh

Read more »

Fargo (Special Edition)

• 2003 - MGM - Fargo - Rare Special Edition
• Frances McDormand, William H. Macy, Steve Buscemi
• Rated R - Director: Joel Coen - DVD
• Special Features - Widescreen / Standard Versions
• Collectible

Nominated* for seven Oscars(r) and winner of two, this darkly amusing thriller combines a first-rate cast, "a dazzling mix of mirth and malice" (Rolling Stone) and a bizarre kidnapping plot that unravels the Midwest like never before. Starring Frances McDormand, William H. Macy and Steve Buscemi, Fargo is a brilliant tour de force from the creators of Raising Arizonaand O Brother, Where Art Thou? *1996: Best Picture, Director, Actress (McDormand, won), Supporting Actor (Macy), Original Screenplay (won), Cinematography, EditingLeave it to the wildly inventive Coen brothers (Joel directs, Ethan produces, they both write) to concoct a fiendishly clever kidnap caper that's simu! ltaneously a comedy of errors, a Midwestern satire, a taut suspense thriller, and a violent tale of criminal misfortune. It all begins when a hapless car salesman (played to perfection by William H. Macy) ineptly orchestrates the kidnapping of his own wife. The plan goes horribly awry in the hands of bumbling bad guys Steve Buscemi and Peter Stormare (one of them being described by a local girl as "kinda funny lookin'" and "not circumcised"), and the pregnant sheriff of Brainerd, Minnesota, (played exquisitely by Frances McDormand in an Oscar-winning role) is suddenly faced with a case of multiple murders. Her investigation is laced with offbeat observations about life in the rural hinterland of Minnesota and North Dakota, and Fargo embraces its local yokels with affectionate humor. At times shocking and hilarious, Fargo is utterly unique and distinctly American, bearing the unmistakable stamp of its inspired creators. --Jeff Shannon

Read more »

The Devil's Miner Spanish Dvd Activity Packet

• A perfect companion to The Devil's Miner DVD!
• Increases vocabulary
• ©2010. English with Spanish.
• Reproducible. Beginning level.

In this classic book, Michael Taussig explores the social significance of the devil in the folklore of contemporary plantation workers and miners in South America. Grounding his analysis in Marxist theory, Taussig finds that the fetishization of evil, in the image of the devil, mediates the conflict between precapitalist and capitalist modes of objectifying the human condition. He links traditional narratives of the devil-pact, in which the soul is bartered for illusory or transitory power, with the way in which production in capitalist economies causes workers to become alienated from the commodities they produce. A new chapter for this anniversary edition features a discussion of Walter Benjamin and Georges Bataille that extends Taussig’s ! ideas about the devil-pact metaphor.
Directed by long-time collaborators Kief Davidson and Richard Ladkani, THE DEVIL'S MINER is a moving portrait of two brothers--14-year-old Basilio and 12-year-old Bernardino--who work deep inside the Cerro Rico silver mines of Bolivia. Through the children's eyes, we encounter the world of devout Catholic miners who sever their ties with God upon entering the mountain, where it is an ancient belief that the devil, as represented by statues constructed in the tunnels, determines the fate of all who work within the mines, which date back to the sixteenth century.

As we come to know the brothers, we learn their fears and hopes for their future, and occasionally glimpse their childlike souls peeking through their stoic faces. Raised without a father, Basilio must work to support their family and to go to school and study, so that he and his family can one day leave the mines. Working 24 hour shifts, eating cocoa leaves to ward off! hunger and drowsiness, Basilio then walks to the city to atte! nd a sch ool, where he is ostracized because he is a working miner. Yet, through it all, Basilio and his family retain a dignity and courage that is inspiring.

The filmmakers bring alive the depths of this mining community and the beauty of the many customs and traditions of the mining town filled with superstition. Each day as they enter the shafts, the Catholic miners bring offerings to carved statues called "Tio", the devil who determines the fate of all who work there. They stage large-scale rituals and sacrifices at the entrance to the mine, and carnivals where they parade through the streets. All of this is their effort to appease the "mountain that eats men alive" where millions of men have died in accidents and of disease and the life expectancy of workers is only 35-40 years old.

A prime example of how social issue films can make a difference, THE DEVIL'S MINER has brought attention to this situation and has encouraged educational and community programs in th! e US, Europe and Bolivia that are helping to get children out of the mines and into schools.Basilio Vargas is a veteran mine worker. He's been employed by La Cumbre silver mine for four years. It's one of hundreds in Bolivia's Cerro Rico, known locally as "the mountain that eats men." Basilio is 14. He's often joined by 12-year-old brother Bernardino. It isn't unusual for the boys to work 12-hour shifts--even double shifts of 24 hours. His father died when he was two and Basilio is the primary breadwinner (his younger sister even calls him "papa"). Outside the mine, Basilio is Catholic. Inside, however, he puts his faith in the Devil, AKA "Tio." Basilio, boss Saturnino, and the other miners believe Tio controls their fate. Basilio's dream is to earn enough money to get an education and to leave the mines for good. Directed by Kief Davidson and Richard Ladkani and narrated by the subject himself, The Devil's Miner doesn't look at child labor from several points of vie! w, but almost exclusively from that of the child. While it may! lack co ntext, the film brings Basilio's world--both above and below ground--into stark relief. He's a well-spoken guide. Basilio is also a realist who knows what will happen if he doesn't escape: he'll be dead by 40 from lung disease or a mine collapse, just like an estimated eight million Cerro Rico workers before him. As Saturnino says about his young charges, "It's an incredible sadness." He would know--Saturnino was once a kid just like Basilio. --Kathleen C. FennessyIn this classic book, Taussig explores the social significance of the devil in the folklore of contemporary plantation workers and miners in South America. A new chapter for this anniversary edition features a discussion of Walter Benjamin and Georges Bataille that extends some of the ideas discussed in the original text.In this classic book, Taussig explores the social significance of the devil in the folklore of contemporary plantation workers and miners in South America. A new chapter for this anniversary! edition features a discussion of Walter Benjamin and Georges Bataille that extends some of the ideas discussed in the original text.THE DEVILS MINER ACTIVITY PACKET A perfect companion to the video with 15 or more reproducible activities. Each activity supports vocabulary reinforcement, vocabulary usage, and cultural understanding. Reproducible, beginning level

Read more »

Trick 'r Treat

• The doorbell rings, the cry goes out: Trick R Treat! But, wait. What s actually going on during this ghostly All Hallows Eve? Something eerie and unexpected. Something splattered and spooky. Something that brings ghouls, vampires and werewolves into the night. Answer the door a shocking surprise awaits. Format: DVD MOVIE Genre: HORROR Rating: R Age: 085391176190 UPC: 

Christine Brown (Alison Lohman) is on her way to having it all: a devoted boyfriend (Justin Long), a hard-earned job promotion, and a bright future. But when she’s forced to make a tough decision that evicts an elderly woman from her house, Christine becomes the victim of an evil curse. Now she has only three days to dissuade a dark spirit from stealing her soul before she is dragged to hell for an eternity of unthinkable torment. Director Sam Raimi (Spider-Man and The Evil Dead Trilogy) returns to the horror genre with a ! vengeance in the film that critics rave is “the most crazy, fun and terrifying horror movie in years!” (Owen Gleiberman, Entertainment Weekly)Touted as a return to Sam Raimi's horror-movie roots, Drag Me to Hell is indeed closer in spirit to the director's Evil Dead pictures than to his Spider-Man films. You got your gypsy gargoyles with rotted dentures, your upchucking corpses, your flexible two-way orifices--yes, Raimi's definitely back in the saddle. There's even a story: a sad loan officer (Alison Lohman) turns down the aforementioned denture-wearing gypsy for a loan extension, which leads to an evil curse and a date in hell in three days' time. A séance, an animal sacrifice, and a session in a storm-tossed graveyard will make the 72 hours pass very nervously, thank you, along with assorted scares. Justin Long plays Lohman's upper-class boyfriend, and Raimi fills the rest of the cast with some unusual and unfamiliar types. Along with the ! giddy horror-comedy that bursts out of the movie every 10 minu! tes or s o, there's also an underlying mood of pity: Lohman's character is something of a hard-luck sad sack, who does enough wrong things to make her seem like a truly abject individual, well outside the heroic model of most multiplex offerings. (Lohman's own little-girl-lost quality adds to this feeling.) But don't let that get in the way of the fun-ride aspects of this goofy enterprise: Drag Me to Hell is a bunch of Z-movie gags wrapped in top-drawer production values. --Robert Horton


Stills from Drag Me to Hell (Click for larger image) Christine Brown (Alison Lohman) is on her way to having it all: a devoted boyfriend (Justin Long), a hard-earned job promotion, and a bright future. But when she’s forced to make a tough decision that evicts an elderly woman from her house, Christine becomes the victim of an evil curse. Now she has only three days to dissuade a dark spirit from stealing her soul before she is dragged to hell for an eternity of unthinkable torment. Director Sam Raimi (Spider-Man and The Evil Dead Trilogy) returns to the horror genre with a vengeance in the film that critics rave is “the most crazy, fun and terrifying horror movie in years!” (Owen Gleiberman, Entertainment Weekly)Touted as a return to Sam Raimi's horror-movie roots, Drag Me to Hell is indeed closer in spirit to the director's Evil Dead pictures than to his Spider-Man films. You got your gypsy gargoyles with r! otted dentures, your upchucking corpses, your flexible two-way! orifice s--yes, Raimi's definitely back in the saddle. There's even a story: a sad loan officer (Alison Lohman) turns down the aforementioned denture-wearing gypsy for a loan extension, which leads to an evil curse and a date in hell in three days' time. A séance, an animal sacrifice, and a session in a storm-tossed graveyard will make the 72 hours pass very nervously, thank you, along with assorted scares. Justin Long plays Lohman's upper-class boyfriend, and Raimi fills the rest of the cast with some unusual and unfamiliar types. Along with the giddy horror-comedy that bursts out of the movie every 10 minutes or so, there's also an underlying mood of pity: Lohman's character is something of a hard-luck sad sack, who does enough wrong things to make her seem like a truly abject individual, well outside the heroic model of most multiplex offerings. (Lohman's own little-girl-lost quality adds to this feeling.) But don't let that get in the way of the fun-ride aspects of this goofy e! nterprise: Drag Me to Hell is a bunch of Z-movie gags wrapped in top-drawer production values. --Robert Horton

Stills from Drag Me to Hell (Click for larger image) The doorbell rings, the cry goes out: Trick 'R Treat! But, wait. What's actually going on during this ghostly All Hallows Eve? Something eerie and unexpected. Something splattered and spooky. Something that brings ghouls, vampires and werewolves into the night. Answer the door â€" a shocking! surprise awaits. From producer Bryan Singer (director of X-Me! n and Su perman Returns) and writer-director Michael Dougherty (co-scripter of X2 and Superman Returns) comes a multitale bag of wicked yarns, four cleverly interlocked stories built on Shocktober admonitions like always check the candy and don’t extinguish the jack-o-lantern before midnight. So answer the door now: Experience horror made for today's fright fan.Trick 'r Treat, directed by Michael Dougherty of Superman Returns fame, has a comic book feel but does a nice job of conveying the real things that can spook kids, making for a good Halloween thriller. Composed of four intertwined stories that unfold simultaneously, starting on the same block in Ohio, Trick 'r Treat initially bears some resemblance to John Carpenter's Halloween, in that it focuses on terrors experienced by teens and young, costumed children. As the short tales become increasingly violent and complex, one begins to see that many culprits are responsible, and that a general haunting! of all neighborhood jack-o'-lanterns is the root cause of some gory crimes. For example, in one segment, Emma (Leslie Bibb), against the wishes of her husband, Henry (Tahmoh Penikett), blows out a candle in her jack-o'-lantern and pays dearly as her night unfolds. Meanwhile, Laurie (Anna Paquin of True Blood), a young woman dressed as Little Red Riding Hood, goes to the woods to party with her sister and two girlfriends, attracting a stalker whose smile alone is creepy enough to startle a slumber party crowd. The two stories starring younger kids carry the film, however. In one, elementary-schooler Charlie (Brett Kelly) meets with the demented school principal, Steven (Dylan Baker), who assesses Charlie's love of stealing candy and thrashing pumpkins. At the same time, a witchy nerd named Rhonda (Samm Todd) is invited to join a young gang at an abandoned rock quarry and faces the mean gang leader, Macy (Britt McKillip), after a prank goes awry. "Earlier" or "Later" ! periodically flash onscreen in comic-book typeface, successful! ly direc ting the viewer through time and also relieving some tension that would've built through a single sustained story. In this, light comedy and some downright silliness shine through. All the kids are in great costumes, and the film, overall, has a festive goth look. By the end, one trusts that Trick 'r Treat is really targeting the younger age group that it highlights, yet it contains enough spook to make adults jumpy as well. --Trinie Dalton

Read more »