Tuesday, November 29, 2011

Hey Hey It's Esther Blueburger

  • This film is a smart, rueful and dead-on portrait of life's unending quest to fit in; and the girl who solves it by completely breaking out - introduces a feisty outsider hero unlike any other seen on screen. Esther Blueburger's quest begins when she escapes from her Bat Mitzvah party and is befriended by Sunni., the effortlessly cool girl who is everything Esther thinks she wants to be. With the
HEY HEY ITS ESTHER BLUEBURGER - sometimes to fit in you have to stand out.

A hilarious coming of age comedy

Hey, Hey Its Esther Blueburger is a hilarious coming of age comedy that explores what its really like to be an outsider in your own world. Esther (newcomer Danielle Catanzariti) is not like other girls; she befriends a duck, talks to God through the toilet and break-dances at her bat-mitzvah. Her school is a daily torment of mind-numbing conformity and bell-ringing rituals. Home i! s a pressure cooker driven by her mother Graces (Essie Davis) demand for perfection. But life changes when Esther meets uber hip Sunni, (Keisha Castle- Hughes) and her off beat single mother Mary (Toni Collette) and slips out of her oppressive all-girls private school and into a public one under the guise of a foreign exchange student. She learns that its ok to be different and that being true to yourself is more important than fitting in.

Battle: Los Angeles [Blu-ray + DVD Combo Pack] (Exclusive Steelbook Packaging) - Arron Eckhart (Blu-ray - 2011)

  • 1080p Hi-Def Blu-ray Transfer
  • Featurettes, Trailers and more bonus features!
  • EXCLUSIVE: Steelbook Packaging!
Witness the end of civilization unfold as hostile alien invaders attack the planet. As people everywhere watch the world’s great cities fall, Los Angeles becomes the last stand for mankind in a battle no one expected. Now it's up to a Marine staff sergeant (Aaron Eckhart) and his platoon to draw a line in the sand as they take on an enemy unlike any they’ve ever encountered in this epic sci-fi action film.Battle: Los Angeles is a war movie first, science fiction second. It's got it all: a burned-out retiring sergeant who gets drawn back in because, dammit, the Marines need him; the guy who's about to get married; the guy who's still a virgin; the guy suffering from shell shock and who just might crack; the newbie officer with a lot of book learning who you ju! st know is going to freeze under pressure and have to be shepherded by that burned-out sergeant, who learned his lessons on the battlefield… and so much more. There's not a moment in this movie you haven't seen before--the only twist is that the enemy is alien, so whatever shred of concern you might have for raining heavy artillery on a fellow human being can be cheerfully cast aside. But clichés are clichés because they are efficient and effective, and despite the profound familiarity of Battle: Los Angeles, there's no denying the movie rips along (though two-thirds of the way through you may have forgotten who was the virgin and who was the shell-shocked guy--but really, does it matter?). The look owes a debt to District 9, a hand-held, vérité grittiness, with most of the CGI carefully given a dingy, dirty look so that it meshes with the urban landscape. Aaron Eckhart (The Dark Knight) does an impressive job of spitting out ham-fisted dialogue l! ike he really, really means it, while the rest of the cast is ! suitably generic. This is an unrepentant love letter to the military; many viewers, faced with the unsettling chaos and moral ambiguities of real wars, will find this mythologizing not only soothing, but even moving. --Bret FetzerWitness the end of civilization unfold as hostile alien invaders attack the planet. As people everywhere watch the world’s great cities fall, Los Angeles becomes the last stand for mankind in a battle no one expected. Now it's up to a Marine staff sergeant (Aaron Eckhart) and his platoon to draw a line in the sand as they take on an enemy unlike any they’ve ever encountered in this epic sci-fi action film.Battle: Los Angeles is a war movie first, science fiction second. It's got it all: a burned-out retiring sergeant who gets drawn back in because, dammit, the Marines need him; the guy who's about to get married; the guy who's still a virgin; the guy suffering from shell shock and who just might crack; the newbie officer with a lot of book! learning who you just know is going to freeze under pressure and have to be shepherded by that burned-out sergeant, who learned his lessons on the battlefield… and so much more. There's not a moment in this movie you haven't seen before--the only twist is that the enemy is alien, so whatever shred of concern you might have for raining heavy artillery on a fellow human being can be cheerfully cast aside. But clichés are clichés because they are efficient and effective, and despite the profound familiarity of Battle: Los Angeles, there's no denying the movie rips along (though two-thirds of the way through you may have forgotten who was the virgin and who was the shell-shocked guy--but really, does it matter?). The look owes a debt to District 9, a hand-held, vérité grittiness, with most of the CGI carefully given a dingy, dirty look so that it meshes with the urban landscape. Aaron Eckhart (The Dark Knight) does an impressive job of spitting out h! am-fisted dialogue like he really, really means it, while the ! rest of the cast is suitably generic. This is an unrepentant love letter to the military; many viewers, faced with the unsettling chaos and moral ambiguities of real wars, will find this mythologizing not only soothing, but even moving. --Bret FetzerWitness the end of civilization unfold as hostile alien invaders attack the planet. As people everywhere watch the world’s great cities fall, Los Angeles becomes the last stand for mankind in a battle no one expected. Now it's up to a Marine staff sergeant (Aaron Eckhart) and his platoon to draw a line in the sand as they take on an enemy unlike any they’ve ever encountered in this epic sci-fi action film. Battle: Los Angeles is a war movie first, science fiction second. It's got it all: a burned-out retiring sergeant who gets drawn back in because, dammit, the Marines need him; the guy who's about to get married; the guy who's still a virgin; the guy suffering from shell shock and who just might crack; the newbie offi! cer with a lot of book learning who you just know is going to freeze under pressure and have to be shepherded by that burned-out sergeant, who learned his lessons on the battlefield… and so much more. There's not a moment in this movie you haven't seen before--the only twist is that the enemy is alien, so whatever shred of concern you might have for raining heavy artillery on a fellow human being can be cheerfully cast aside. But clichés are clichés because they are efficient and effective, and despite the profound familiarity of Battle: Los Angeles, there's no denying the movie rips along (though two-thirds of the way through you may have forgotten who was the virgin and who was the shell-shocked guy--but really, does it matter?). The look owes a debt to District 9, a hand-held, vérité grittiness, with most of the CGI carefully given a dingy, dirty look so that it meshes with the urban landscape. Aaron Eckhart (The Dark Knight) does an impressive! job of spitting out ham-fisted dialogue like he really, reall! y means it, while the rest of the cast is suitably generic. This is an unrepentant love letter to the military; many viewers, faced with the unsettling chaos and moral ambiguities of real wars, will find this mythologizing not only soothing, but even moving. --Bret FetzerStudio: Asylum Home Entertainment Release Date: 03/22/2011 Run time: 90 minutes Rating: NrStudio: Asylum Home Entertainment Release Date: 03/22/2011 Run time: 90 minutes Rating: NrAn ex-Yakuza, Kenji wants for fresh start in a new place. America. He visits his buddy, Shingo in LA. Shingo s dad was also Yakuza. Now he is a chef in Little Tokyo. But culinary life is not peaceful either. There is a conspiracy in this neighborhood where gangsters are trying to evacuate storeowners from their businesses. And Kenji gets invovled. But when he gets invovled, all hell breaks loose.
Japanese gangs, Korean gangs, the Mafia, every type of criminal imaginable gets involved in what while turn into the most massiv! e street fight you ever witnesses. And Kenji is caught right in the middle. Will he find salvation in a foreign country. To achieve it, he must battle every bad guy in his path and end them, no matter who he is.Marine staff sergeant (aaron Eckhart, "The Dark Knight") and his platoon take on an enemy unlike any they've ever encountered when hostile alien invaders attack the planet in this epic science fiction action hit!

Celtic Woman: Songs From The Heart

  • DVD
  • Celtic Woman
  • Format DVD
GRACE OF MY HEART - DVD MovieThe traditions of old-fashioned melodrama are given a hip facelift in this homage to the Brill Building era (the late 1950s to the early 1970s) of pop-music glory, providing a perfect match between writer-director Allison Anders and her excellent cast. Illeana Douglas plays a singer-songwriter (loosely modeled after Brill recording artist Carole King) whose life runs emotionally parallel to popular music trends. John Turturro is a stand-in for "wall of sound" producer Phil Spector and Matt Dillon is a thinly disguised version of maverick Beach Boy Brian Wilson. It's a bit too schematic in the way the central character is always in the right place at the right time, but as a tale of fame and romantic highs and lows in the '50s and '60s the movie is funny, touching, and sincere. It's a lively and loving tribute to timeless! music and the colorful characters who created it. --Jeff Shannon A terrific sampler of greatest hits from the heyday of girl groups and the Brill Building--except that none of the songs are actually from that era. What we have here is an incredible simulation--from Allison Anders' unjustly overlooked 1996 movie about the tempestuous life and career of a Carole King- like singer-songwriter (the magnificent Illeana Douglas) who spends years writing for others before finding her own voice. But instead of just licensing the old Shirelles' recordings of Goffin-King hits, the filmmakers came up with the brilliant idea of doing original songs by combining the sensibilities of contemporary artists and their songwriting forebears. So, for example, Elvis Costello and Burt Bacharach teamed up to write and perform the power- ballad "God Give Me Strength" (although I wish they'd also included Douglas's even more moving version from the picture); Leslie Gore te! ams with Larry Klein and David Baerwald for "My Secret Love" ! (perform ed by Miss Lily Banquette of Combustible Edison); Gerry and Louise Goffin team with Baerwald for "Between Two Worlds" (performed by Sean Colvin); J. Mascis of Dinosaur Jr. writes and sings some Brian Wilson/Beach Boys-type stuff ("Take a Run at the Sun," "Don't You Think It's Time"), and so on. Buy the record; see the movie. You won't be disappointed. --Jim EmersonTracks: God Give Me the Strength-Burt Bacharach & Elvis Costello, Love Doesn't Ever Fail Us-Williams Brothers, Take a Run at the Sun-J Mascis, I Do-For Real, Between Two Worlds-Shawn Colvin, My Secret Love-Lily Banquette, Man From Mars-Kristen Vigard, Born to Love that Boy-For Real, Truth is You Lied-Jill Sobule, Unwanted Number-For Real, Groovin on You-Juneo, In Another World-Portrait, Don't You Think It's Time-J Mascis, Absence Makes the Heart-Tiffany Anders & Boyd Rice, A Boat on the Sea-Kristen VigardThe traditions of old-fashioned melodrama are given a hip facelift in this homage to the Brill Bu! ilding era (the late 1950s to the early 1970s) of pop-music glory, providing a perfect match between writer-director Allison Anders and her excellent cast. Illeana Douglas plays a singer-songwriter (loosely modeled after Brill recording artist Carole King) whose life runs emotionally parallel to popular music trends. John Turturro is a stand-in for "wall of sound" producer Phil Spector and Matt Dillon is a thinly disguised version of maverick Beach Boy Brian Wilson. It's a bit too schematic in the way the central character is always in the right place at the right time, but as a tale of fame and romantic highs and lows in the '50s and '60s the movie is funny, touching, and sincere. It's a lively and loving tribute to timeless music and the colorful characters who created it. --Jeff Shannon The 1996 film "Grace of My Heart" was directed by Allison Anders and starred Illeana Douglas, Sissy Boyd, and Christina Pickles. The story of its original motion picture soundtrack! CD is rather tortured: Supposedly Joni Mitchell's version of ! the song "Man From Mars" was to be included in the film; Kristen Vigard's version was used instead, but somehow the soundtrack includes Mitchell's version (even though it lists Vigard as the performer). Kind of complicated. This flubbed pressing, apparently recalled after one week, has a catalog number of MCAD 11510. Also included on the CD are songs by the following performers: Burt Bacharach and Elvis Costello ("God Give Me Strength"), the Williams Brothers ("Love Doesn't Ever Fail Us"), J Mascis ("Take a Run at the Sun" and "Don't You Think It's Time"), For Real ("I Do"), Shawn Colvin ("Between Two Worlds"), Miss Lily Banquette of Combustible Edison ("My Secret Love"), For Real ("Born to Love That Boy" and "Unwanted Number"), Jill Sobule, who also appears in the film ("Truth Is You Lied"), Juned ("Groovin' On You"), Portrait ("In Another World"), Tiffany Anders and Boyd Rice ("Absence Makes the Heart Grow Fonder"), and Kristen Vigard ("A Boat on the Sea").Track Listing:
1. T! he Call
2. Fields of Gold
3. When You Believe
4. The Coast of Galiçia
5. The New Ground - Isle of Hope, Isle of Tears
6. Non C’è Piú
7. True Colours
9. Galway Bay
10. Goodnight My Angel
11. O, America!
12. Níl Sé’n Lá
13. The Last Rose Fantasia
14. The Moon’s a Harsh Mistress
15. My Lagan Love
16. Amazing Grace
17. Pie Jesu
18. Slumber My Darling / The Mason’s Apron
19. Danny Boy
20. You Raise Me Up
21. Finale / Mo Ghile Mear

VideoSecu Universal LCD/DLP Projector Ceiling Mount Bracket White Fits both flat or Vaulted ceiling PJ2W 1CA

  • Extension poll included. 5.5in without extension poll. Height is adjustable from 16.9" to 25.6" ( 43-65 cm ). Ceiling plate adjustable 0 to 90 degree swivel, fits Vaulted ceiling
  • Mounting arms removable and extendable, extra extension adaptor included
  • Heavy duty steel construction, Maximum loading 44 lbs (20 kgs); Rotate adjustment left and right 5 degrees
  • Integrated cable management; Exclusive "No-slip" adjustment system; Lock in any position; Easily release and lock
  • Standard size hardware,comprehensive installation manual included.VideoSecu brand. Please report to Amazon.com if you recieve a mount without VideoSecu logo
A group of misfits attempt to win their church basketball league.Entrepreneur, Defender of the Faith, Teacher, Writer, Speaker, Leader

Follow the journey from a small-town, horse-riding pastor ...

... to one of the most infl! uential prelates in the history of the United States.

Read how he:

  • Stood toe-to-toe against anti-Catholic preachers at tent meetings and worked to keep the Klu Klux Klan from gaining influence in his town
  • Penned a series of religious education pamphlets for his parishioners, which led to his founding Our Sunday Visitor, one of the largest Catholic publishing houses in the world
  • Began Our Sunday Visitor Offering Envelopes and Our Sunday Visitor Institute
  • Played a central role in the founding of the Catholic Press Association, the United States Conference of Catholic Bishops, and the Legion of Decency
  • Assisted in launching NBC radio's "Catholic Hour" with then-Father Fulton J. Sheen
  • Faithfully met the needs of his own growing diocese from starting a Catholic Charities to aid families devastated by the Depression to becoming a brick-and-mortar bishop following World War II; from confirming 133,000 people and ordaining 500 priests to -- even i! n his later years -- taking the time to hold Sunday evening in! formatio n sessions in the Fort Wayne cathedral to teach the Catholic Faith.

Born in Fort Wayne, Indiana, in 1875, John Noll was raised in a time when Catholic Americans were considered suspect, if not actual second-class citizens.

Ordained in 1898, Father John Noll began his priesthood in an era when basic Catholic teachings were barely known by many members of the Church, and were often ridiculed and misrepresented by non-members. By helping both groups learn the truths of the Faith, he shaped his ministry, his legacy through Our Sunday Visitor, and the Catholic Church as a whole, in the United States.This mount is VideoSecu brand.Universal mount features a flexible mounting system that can be used with most projector model, and it has the versatility to attach to nearly any ceiling. The mounting interface features four double-jointed support arms that allow flexible positioning to reach almost any mounting point of the projector. Each arm can be precisely position! ed to avoid covering important projector ventilation and access points used for lamp and air filter replacement. This minimizes heat build-up and maximizes lamp life. Its robust construction allows the mount to positively hold the projector fixed at nearly any angle. This universal mount's tilt and roll can be adjusted independently of one another, compared to the clumsier adjustments needed for ball-and-socket mounts. it comes with an adjustable channel and ceiling plate. This allows the projector to be mounted at an adjustable height from the ceiling. This auction is for 1 set of White projector ceiling mount. Does this mount fit my projector? Please look at the mounting screws on the top of your projector. Measure the distance between the holes. If your projector has 3 holes pattern or 4 hole pattern, and the maxim distance between any two holes is less than 12.5 inch/32 cm, then this mount will fit your projector. The longer extenders which can cover an area up to 17 in! ch in diameter sold separately in our Amazon store ASIN: B0036! 849J6.

All About My Mother

  • Widescreen
  • Exclusive Interview with director Pedro Almodovar
  • Subtitles in English and French
  • Director's production notes
  • Talent files
A single mother in Madrid sees her only son die on his 17th birthday as he runs to seek an actress's autograph. She goes to Barcelona to find the lad's father, a transvestite named Lola who does not know he has a child. First she finds her friend, Agrado, also a transvestite; through him she meets Rosa, a young nun bound for El Salvador, and by happenstance becomes the personal assistant of Huma Rojo, the actress her son admired. She helps Huma manage Nina, the co-star and Huma's lover, and she becomes Rosa's caretaker during a dicey pregnancy. With echoes of Lorca, All About Eve, and A Streetcar Named Desire, the mothers (and fathers and actors) live out grief, love, and friendship.After her son is killed in an acc! ident, Manuela (Cecilia Roth) leaves Madrid for her old haunts in Barcelona. She reconnects with an old friend, a pre-op transsexual prostitute named La Agrado (Antonia San Juan), who introduces her to Rosa (Penélope Cruz), a young nun who turns out to be pregnant. Meanwhile, Manuela becomes a personal assistant for Huma Rojo (Marisa Paredes), an actress currently playing Blanche DuBois in a production of A Streetcar Named Desire. All About My Mother traces the delicate web of friendship and loss that binds these women together. The movie is dedicated to the actresses of the world, so it's not surprising that all the performances are superb. Roth in particular anchors All About My Mother with compassion and generosity. But fans of writer-director Pedro Almodóvar needn't fret--as always, Almodóvar's work undermines conventional notions of sexual identity and embraces all human possibilities with bright colors and melodramatic plotting. However, A! ll About My Mother approaches its twists and turns with a ! broader emotional scope than most of Almodóvar's work; even the more extravagant aspects of the story are presented quietly, to allow the sadness of life to be as present as the irrepressible vitality of the characters. Almodóvar embraces pettiness, jealousy, and grief as much as kindness, courage, and outrageousness, and the movie is the richer for it. --Bret FetzerAfter her son is killed in an accident, Manuela (Cecilia Roth) leaves Madrid for her old haunts in Barcelona. She reconnects with an old friend, a pre-op transsexual prostitute named La Agrado (Antonia San Juan), who introduces her to Rosa (Penélope Cruz), a young nun who turns out to be pregnant. Meanwhile, Manuela becomes a personal assistant for Huma Rojo (Marisa Paredes), an actress currently playing Blanche DuBois in a production of A Streetcar Named Desire. All About My Mother traces the delicate web of friendship and loss that binds these women together. The movie is dedicated to the actres! ses of the world, so it's not surprising that all the performances are superb. Roth in particular anchors All About My Mother with compassion and generosity. But fans of writer-director Pedro Almodóvar needn't fret--as always, Almodóvar's work undermines conventional notions of sexual identity and embraces all human possibilities with bright colors and melodramatic plotting. However, All About My Mother approaches its twists and turns with a broader emotional scope than most of Almodóvar's work; even the more extravagant aspects of the story are presented quietly, to allow the sadness of life to be as present as the irrepressible vitality of the characters. Almodóvar embraces pettiness, jealousy, and grief as much as kindness, courage, and outrageousness, and the movie is the richer for it. --Bret Fetzer

The Horse Whisperer

  • After a devastating riding accident, a young girl and her beloved horse are both left with serious physical and emotional scars. Determined to help, the girl s desperate mother (Thomas) puts her busy, big-city life on hold and travels west to seek out the "Horse Whisperer." When she meets this, rugged, down-to-earth rancher (Redford), she discovers his extraordinary gift with animals also touches

#1 NEW YORK TIMES BESTSELLER

His name is Tom Booker. His voice can calm wild horses, his touch can heal broken spirits. And Annie Graves has traveled across a continent to the Booker ranch in Montana, desperate to heal her injured daughter, the girl’s savage horse, and her own wounded heart. She comes for hope. She comes for her child. And beneath the wide Montana sky, she comes to him for what no one else can give her: a reason to believe.

The Horse Whisperer is a! story made in Hollywood heaven. The novel was written by a first-time author, and the film option was snapped up by aging heartthrob Robert Redford for 3 million smackers. Why take such risks on a brand-spanking-new author? The answer becomes clear upon reading the touching tale.

One morning while teenage Grace Maclean is riding Pilgrim, her goofy, loveable pony, she has a horrendous glass-shattering, bone-splintering, ligament-lynching meeting with a megaton truck that leaves her and her four-legged friend damaged in mind, body, and spirit. Meanwhile, back at the ranch, her jaded, brilliant, bitchy mom, Annie Graves (Kristin Scott Thomas in the 1998 film) is working out a wrinkle in her self-absorbed existence when she gets a call at her plush, Manhattan office about Grace's accident. Racked with guilt, Graves makes it her calling to find the mythical horse whisperer, an equine Zen master who has the ability to heal horses (and broken souls) with soot! hing words and a gentle touch. Just when it seems he can't be! found, what do you know, she finds him. He arrives in the form of Tom Booker-- a rugged, sensitive, dreamy cowboy who helps Pilgrim and Grace repair their fractured selves. To add more mesquite to fire, Booker has a way with not-so-injured, attractive, married women--like Annie. As the plot thickens, so does the familial strife, which threatens to undo Booker's healing work.

Like an expert cinematographer, Evans deftly crafts each scene with precision and clarity, sprinkling in ominous signs and foreboding images. For example, in the opening paragraphs, as Annie starts out on the tragic ride, she comes across a bloody bird wing that seems to have fallen out of nowhere. The weight of impending doom is further strengthened by the truck driver's bad luck--he has a run-in with the highway patrol just moments before his meeting with Grace and Pilgrim. These not-so-subtle subliminal messages are masterfully stitched in throughout the story and may compel readers to act! as if they were watching a B-grade horror movie, shouting aloud, "Don't go there!" However sentimental, The Horse Whisperer is an engaging read, sort of like a finely tuned, well-edited film. --Rebekah Warren#1 NEW YORK TIMES BESTSELLER

His name is Tom Booker. His voice can calm wild horses, his touch can heal broken spirits. And Annie Graves has traveled across a continent to the Booker ranch in Montana, desperate to heal her injured daughter, the girl’s savage horse, and her own wounded heart. She comes for hope. She comes for her child. And beneath the wide Montana sky, she comes to him for what no one else can give her: a reason to believe.The Horse Whisperer is a story made in Hollywood heaven. The novel was written by a first-time author, and the film option was snapped up by aging heartthrob Robert Redford for 3 million smackers. Why take such risks on a brand-spanking-new author? The answer becomes clear up! on reading the touching tale.

One morning while teenage ! Grace Ma clean is riding Pilgrim, her goofy, loveable pony, she has a horrendous glass-shattering, bone-splintering, ligament-lynching meeting with a megaton truck that leaves her and her four-legged friend damaged in mind, body, and spirit. Meanwhile, back at the ranch, her jaded, brilliant, bitchy mom, Annie Graves (Kristin Scott Thomas in the 1998 film) is working out a wrinkle in her self-absorbed existence when she gets a call at her plush, Manhattan office about Grace's accident. Racked with guilt, Graves makes it her calling to find the mythical horse whisperer, an equine Zen master who has the ability to heal horses (and broken souls) with soothing words and a gentle touch. Just when it seems he can't be found, what do you know, she finds him. He arrives in the form of Tom Booker-- a rugged, sensitive, dreamy cowboy who helps Pilgrim and Grace repair their fractured selves. To add more mesquite to fire, Booker has a way with not-so-injured, attractive, married ! women--like Annie. As the plot thickens, so does the familial strife, which threatens to undo Booker's healing work.

Like an expert cinematographer, Evans deftly crafts each scene with precision and clarity, sprinkling in ominous signs and foreboding images. For example, in the opening paragraphs, as Annie starts out on the tragic ride, she comes across a bloody bird wing that seems to have fallen out of nowhere. The weight of impending doom is further strengthened by the truck driver's bad luck--he has a run-in with the highway patrol just moments before his meeting with Grace and Pilgrim. These not-so-subtle subliminal messages are masterfully stitched in throughout the story and may compel readers to act as if they were watching a B-grade horror movie, shouting aloud, "Don't go there!" However sentimental, The Horse Whisperer is an engaging read, sort of like a finely tuned, well-edited film. --Rebekah Warren#1 NEW YORK TIMES ! BESTSELLER

His name is Tom Booker. His voice can ca! lm wild horses, his touch can heal broken spirits. And Annie Graves has traveled across a continent to the Booker ranch in Montana, desperate to heal her injured daughter, the girl’s savage horse, and her own wounded heart. She comes for hope. She comes for her child. And beneath the wide Montana sky, she comes to him for what no one else can give her: a reason to believe.Academy Award(R)-winner Robert Redford (Best Director, 1980, ORDINARY PEOPLE) stars with Adademy Award(R)-nominee Kristin Scott Thomas (Best Actress, 1996, THE ENGLISH PATIENT) in this landmark epic adapated from one of the most acclaimed novels of our time! After a devastating riding accident, a young girl and her beloved horse are both left with serious physical and emotional scars. Determined to help, the girl's desperate mother (Thomas) puts her busy, big-city life on hold and travels west to seek out the "Horse Whisperer." When she meets this rugged, down-to-earth rancher (Redford), she discovers his extraor! dinary gift with animals also touches the lives of the people around him! Featuring Hollywood favorites Sam Neill (JURASSIC PARK) and Oscar(R)-winner Dianne Wiest (Best Supporting Actress, 1994, BULLETS OVER BROADWAY) in a superb cast -- critics and moviegoers alike were captivated by this powerful motion picture event!Although it's best viewed on a big theatrical screen to take full advantage of Robert Richardson's breathtaking widescreen cinematography, it seems likely that most people will see this classy romance in the comfort of their own homes. Adapted from the bestseller by Nicholas Evans and directed by Robert Redford, the film did respectable business at the box-office, but it was too sprawling and too soapy to be a bona fide hit. Redford stars as the title character, a Montana rancher named Tom Booker, who possesses the specialized talent of healing traumatized horses through careful and affectionate rehabilitation. He gets his most challenging case when he's soug! ht out by a fast-lane New York magazine editor (Kristin Scott ! Thomas, in a role modeled after former New Yorker editor Tina Brown) whose daughter (Scarlett Johansson) was injured and traumatized by an accident that nearly killed her favorite horse. When mother, daughter, and horse arrive at Booker's ranch, the big-city editor falls in love with the serene rancher and faces the painful decision of whether to stay in Montana or return to her husband (Sam Neill) in New York. Some may find this to be much ado about nothing, and comparisons to The Bridges of Madison County are inevitable, but Redford's directorial approach offers the kind of graceful stature, tenderness, and intelligence required to elevate the simple story. The film takes all the time it needs to let its characters heal and make their important decisions, and that alone makes it a refreshing alternative to the frantic pace of most big-studio productions. --Jeff Shannon

AND NOW....LADIES AND GENTLEMEN ORIGINAL MOVIE POSTER

  • SINGLE-SIDED REGULAR 27X41 NEW
  • DESCRIPTION:  Authentic original (or specified high quality reproduction) one-sheet movie poster.
  • SIZE: Approx 27x40 inches unless otherwise stated.
Claude Lelouch may never be the most profound director in the world, but he sure knows how to whip up a catchy distraction. And Now Ladies & Gentlemen finds Lelouch in a skippy, unpredictable mode. Jeremy Irons, who seems to be enjoying himself enormously, is a thief who sets out on a sailing voyage, only to fetch up in Morocco after he blacks out at the helm. There he meets sultry singer Patricia Kaas (her first acting role); it turns out they both might have brain tumors. Did someone say this is a romantic comedy? It is, complete with musical numbers (Kaas glides through a cozy cross-section of French pop music, including the theme from A Man and a Woman, Lelouch's '60s smash). The m! ovie's all over the place, and it spins its wheels for the final half-hour, but there are certain kinds of romantics who will find this sort of thing irresistible. --Robert HortonA Claude Lelouch Film Widescreen CollectionClaude Lelouch may never be the most profound director in the world, but he sure knows how to whip up a catchy distraction. And Now Ladies & Gentlemen finds Lelouch in a skippy, unpredictable mode. Jeremy Irons, who seems to be enjoying himself enormously, is a thief who sets out on a sailing voyage, only to fetch up in Morocco after he blacks out at the helm. There he meets sultry singer Patricia Kaas (her first acting role); it turns out they both might have brain tumors. Did someone say this is a romantic comedy? It is, complete with musical numbers (Kaas glides through a cozy cross-section of French pop music, including the theme from A Man and a Woman, Lelouch's '60s smash). The movie's all over the place, and it spins its wheels for the final half-hour, but there are certain kinds of romantics who will find this sort of thing irresistible. --Robert HortonLadies and Gentlemen… The Rolling Stones finally comes to DVD. Th! is legendary Rolling Stones concert film, shot over four nights in Texas during the "Exile ON Main Street" tour in 1972, was released in cinemas for limited engagements in 1974 and has remained largely unseen since. Now, restored and remastered, Ladies and Gentlemen makes its first authorized appearance on DVD. This is one of the finest Rolling Stones concerts ever captured on film and features outstanding performances of classic tracks from the late '60s and early '70s. PRODUCT DESCRIPTION: At Moviestore we have an unbeatable range of both original and classic high quality reproduction movie posters. Movie poster art is a wonderful collectible item and great for home or office decor. We have been in business for 16 years so you can buy with confidence. Our guarantee - if you are not fully satisfied with your purchase from Moviestore we will gladly refund your money.

Twitter Delicious Facebook Digg Stumbleupon Favorites More

 

web log free