- Stunning quality 24x36 inch Poster Print!
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NAUGHTY GIRL: A romantic comedy about a sexy teenager who moves in with the entertainer at her father's nightclub. LOVE ON A PILLOW: An innocent young woman clings to the abusive alcoholic whose life she saved. THE VIXEN: In this offbeat sex comedy, Brigitte Bardot is a secretary seduced by her womanizing boss. COME DANCE WITH ME: In this comedy/mystery, a wife turns detective to proove her husband is innocent of murder. TWO WEEKS IN SEPTEMBER: A wife is torn between two lovers - her older husband and a much younger man.The screen’s sexiest bombshell, Brigitte Bardot, sizzles in three of her most unforgettable roles! First she teams up with director Roger Vadim (Barbarella) as a virginal temptress ! running amok in rural Spain on THE NIGHT HEAVEN FELL then she’s a comic nymphet who takes Paris by storm as an amateur striptease artist in PLUCKING THE DAISY. Finally, a grown-up Brigitte scorches up the screen as a female DON JUAN, a proud destroyer of men (and women) who even drives a priest mad with her wicked misadventures! This trio of tantalizing tales of love, scandal, and betrayal will titillate seasoned Bardot fans and newcomers alike!The inside story of the infamous Brigitte Bardot reveals her two lives--one as a sexy film star and one as an animal-rights activist--through interviews with former husbands, former lovers, oldest friends, her current husband, and Bardot herself. Tour.Though she retired from the screen in the early 1970s, Brigitte Bardot remains an enormously popular sex symbol. Her image continues to be mimicked and recycled almost as often as Bardot herself continues to be hounded. Jeffrey Robinson sees Bardot's life as a story about th! e enormous cost of fame. He follows her as she rockets to st! ardom in her teens and ever after consumes the attention of the merciless media while making films, championing humanitarian causes, and bedding lovers.The astounding success of Roger Vadim's
And God Created Woman revolutionized the foreign film market and turned Brigitte Bardot into an international star. Bardot stars as Juliette, an 18-year-old orphan whose unbridled appetite for pleasure shakes up all of St. Tropez; her sweet but naïve husband Michel (Jean-Louis Trintignant) endures beatings, insults, and mambo in his attempts to tame her wild ways. Criterion presents this milestone of cinematic naughtiness in a stunning new 16x9 Eastmancolor transfer, supervised by the late director. Roger Vadim's directorial debut is more titillation than continental cool, but it broke box-office records and censorship taboos in its teasing display of sex and eroticism in the sunny vacation playground of the Saint-Tropez seashore. Vadim ushered in the era of continental attitudes towa! rd sex and christened the voluptuous Brigitte Bardot (his wife) the world's original sex kitten: earthy, innocent, and all fleshy curves. Bardot is Juliette, a pouty child-woman orphan prone to nude sunbathing and playful flirting. Though pursued by a rich widower (Curt Jurgens) and attracted to the brawny fisherman Antoine (Christian Marquand), she marries Antoine's shy younger brother Michel (Jean-Louis Trintignant), an earnest, innocent kid hardly older than she but far less worldly. Despite her sincere efforts to "be good," Juliette gives in to Michel's advances, setting off a chain of events that ends in fraternal conflict. Vadim keeps the display of skin this side of an R rating, but only barely, teasing the male audience with skimpy outfits, barely concealing sheets, and often conveniently arranged scenery. Bohemian Bardot frolics through the film with nary a self-conscious moment, culminating in a passionate mambo, her pent-up frustration and sexual confusion explo! ding in a mad dance as bongos pound away on the soundtrack. Wh! o needed Viagra in the '50s when Bardot was around?
--Sean AxmakerLegendary director Jean-Luc Godard’s CONTEMPT is a movie within a movie â€" on the surface, the film is about a director (Michel Piccoli) whose wife Camille (Brigitte Bardot) falls out of love with him while he is rewriting an adaptation of Homer’s ODYSSEY for an American producer (Jack Palance). But underneath this tragic tale of a doomed romance lies Godard’s true subject: the commercial film industry, which he shows his CONTEMPT for in a directing performance that is slyly subversive, darkly comic and completely original.(1956 aka PLEASE MR. BALZAC) Bridget Bardot, Daniel Gelin. BB pens a shocking book that gets her into big trouble. And we mean BIG trouble. BB is, of course, simply stunning. 35mm.
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France's most famous bombshells, Brigitte Bardot and Jeanne Moreau, "make a! n unbeatable comedy team" (Motion Picture Herald) in this "joyfully romantic fairy tale for adults!" (Life)! "Fast-moving, eye-catching and filled with sight gags" (Cue), this hysterical film from three-time OscarÂ(r)-nominated* director Louis Malle (My Dinner With Andre) and co-writer Jean-Claude Carriere satirizes everything from American westerns to revolutions, dictators, the Church, priesthood and even sex itself! When two women Ââ€" both named Maria Ââ€" unwittingly invent the striptease circa 1910, they become such a hit that enthusiastic audiences strip along with them! But when one of the Marias falls for a handsome revolutionary (George Hamilton), she finds that she has unwittingly embroiled the two of them in an armed peasant revolt! *1987: Original Screenplay, Au Revoir Les Enfants; 1981: Director, Atlantic City; 1972: Director, Murmur of the HeartGet in line, buddy: who doesn't want to see Jeanne Moreau and Brigitte Bardot costarring as turn-of-the-cen! tury vaudevillians who get mixed up with Mexican revolutionari! es? This slapstick 1965 movie by Louis Malle came three years before he took off for India to make his famous documentary,
Calcutta, and it shows off the carefree side of Malle to rousing effect. The two heroines play song-and-dance women who flirt with the striptease and end up fighting for the cause of Pancho Villa. Great fun, and what a way to see two very different icons of mid-century French cinema.
--Tom KeoghThis is a truly exceptional item! A high quality poster print measuring 24x36 inches professionally printed on quality Kodak photographic paper. This is no ordinary cheap commercial poster on thin art paper. Our poster is produced on real photo paper by our experienced photo technicians here at Moviestore. We guarantee that you will be delighted with the look, feel and overall stunning quality of your purchase. We offer a full refund of your money if you are not fully satisfied! Buy with confidence from Moviestore.
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